How not to respond to criticisms of race and gender
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June 5, 2010: DC Nation panel at Heroes Con 2010
Ian Settler, DC Senior Story Editor
A serious topic came up about how characters who are minorities who happened to be legacy characters like Ryan Choi are killed off so their caucasian counterparts can return and how they feel like they are being cheated or sidelined out of their roles. Sattler took a more serious tone. “It’s so hard for me to be on the other side because it’s not our intention. There is a reason behind it all. We don’t see it that way and strive very hard to have a diverse DCU. I mean, we have green, pink, and blue characters. We have the Great Ten out there and I have counter statistics, but I won’t get into that. It’s not how we perceived it. We get the same thing about how we treat our female characters.”
Not kidding. He really mocked real people of colour by talking not about them but about non-existent green, pink, and blue people!!!!
And then cited the horrifically offensive Chinese superhero team “The Great Ten” to add insult to injury. Oh, and some hypothetical “counter statistics” that he “won’t get into”.
There is so much wrong going on here. You must read Brown Betty’s breakdown in DC Comics: eliminating non-buyer’s remorse:
But I am also boggling at using The Great Ten in their defence. Technically, it could be worse. He could have pointed out Egg Fu, but The Great Ten is not so great either. Here are some quotes by Morrison and Bedard, on one of the Great Ten, Mother of Champions: These quotes from this Newsarama article, emphasis mine:
“Mother of Champions is a rather hair-raising concept,” Bedard explained. “She can give birth to, as Grant Morrison put it, ‘a 25-strong litter of genetically-identical supermen, each with a lifespan of one week.”
The racism inherent in a Chinese character whose power is her terrifying fertility should be apparent, but litter makes me so mad I can’t even. Sows have litters. Dogs have litters. Women have BABIES, you unbelievable piece of shit.
And also Odditycollector’s post What the shit is this on my computer screen? which has some awesome comments over on livejournal and dreamwidth.
Vejiicakes:
Incidentally, I like how the spokesman used his dismissive Invoking Strangely Colored People tactic as a segue to wave off any of the icky shrill feminists in the audience/readerbase as well. “So this one thing you guys complain about? Nope. Just no. Also this other thing, that’s a no too. You’re wrong.”
Odditycollector:
Yeah… I’m still not sure how to read that. Is it “And as analogy, our comics are full of gender! Just for instance, look at all the men! Thus the feminists who complain about lack of gender inclusion are *dumb*!”Or is it “You know who else whines about stuff? FEMINISTS. You people complaining about the CoC situation don’t want to be like FEMINISTS, do you?”
Melting pots, “hardcore”, and fanfic
I am still processing the conclusion to “War of the Supermen” and will likely have thinky thoughts later. I can’t get over the final message being “peace will be achieved through assimilation”, right after telling us that the near-genocide of two planets was the result of two men (Lane, Zod) who could not get past their hatred of the Other. Contradictory, much? I find the white supremacist idealism of the “melting pot” myth to be an insidious message to drop into a Superman book at that moment.
Related: this article on Escapist Magazine, Stealing from the Next Generation is a good takedown of the impulse to make comics and games, among other things, more “hardcore”:
It’s one thing, once one has reached the age of legality, to prefer to drink one’s Coca-Cola with a bit of rum. It’s another thing entirely to demand that Coke henceforth only sell its beverages with rum, on the basis that this is the preference of you, the mature, hardcore soda fan… [G]eek culture does this to itself day after day, from comics to movies to gaming and back again. “I loved this as a kid, and I’ll love it now, but only if you darken it up. Make it bleak. Make it angsty. Make it hardcore! Make it so there can be no question whatsoever that it’s appropriate for someone my age because, while I’m hardcore, I’m also surprisingly self-conscious.” And what of the young of today, who might’ve enjoyed it the old way like I did in the first place? Screw’em! It’s their own fault for taking so long to get born!
While the article doesn’t make it explicit, another article on Escapist makes the obvious connection between the coded term hardcore and maleness.
Related only in the fact that published superhero comics are corporate-controlled fanfic: I’m done explaining to people why fanfic is okay is a beautiful list of published (and famous, beloved, awarded, “classic”) works that are in fact fanfic.
War of the Supermen #1-3
This miniseries should have been called “The Big Giant Status Quo Reset”, or, “Everyone and everything you liked about New Krypton gets destroyed, but Luthor lives.”
I’ve moved past my denial about them killing Alura and the (soon to be) entire population of New Krypton and into a kind of numb acceptance. With that comes a profound disinterest in the disappointing resolution to what promised to be a bold, exciting new chapter in Superman and Supergirl comics. I started buying SUPERGIRL again when Sterling Gates came on board at the same time as New Krypton, and I am depressed at the thought of returning to pre-New Krypton Supergirl after being given a taste of something so much bigger. I even bought a comic starring Superman for a whole year, and the comic version of Superman generally bores me (they then proceeded to make WORLD OF NEW KRYPTON all about Supes and Zod’s manly pissing contest, so look who’s the sucker!).
My guess is that anyone created for New Krypton will be killed or returned to status quo by the end of WAR OF THE SUPERMAN #4. Zod and Ursa will live (Non might die for angst). Luthor not only lives, but will get a starring role in the Superman comics, because that’s something fresh and interesting that people want to see *sarcasm* Brainiac is spirited off to R.E.B.E.L.S. General Lane will live. DC villains are sacred and can never be killed off if they’ve been around since the Silver Age, no matter how overused they’ve become or implausible it is that they’re still around. I doubt Lucy will be killed, but she probably won’t remain Superwoman much longer. Nightwing, it’s hard to say, given that he showed up earlier. If they don’t kill after Thara sacrificed herself, it’ll look bad politically. But if they do, there’s that whole child-killing problem again. Then again, they never addressed the hugely problematic and creepy situation of Thara having a physically romantic relationship with a child so that won’t come up.
In the weekly Newsarama interviews with James Robinson and Sterling Gates (Week 1, Week 2, Week 3) Gates stated that
I’ve heard from people who are really upset that New Krypton was destroyed, that a planet with such potential was blown up, its inhabitants killed. I agree; it’s a traumatizing and polarizing event.
But that’s what we’re saying with it: Death and destruction don’t care about potential.
Comparing the waste of storytelling potential to the wasted potential of human life in actual war is a bit out of proportion. Fans have a legitimate beef here. DC publishes serialized stories that go on forever, generally of uneven quality and at a price not conducive to impulse buying. New Krypton was their meal ticket to years of potentially rich stories to mine and they threw it all away for nothing. That’s the potential of the planet they blew up. After the underwhelming stories that did get told in SUPERMAN, ACTION COMICS, and WoNK, I’m even more angry about wasted potential.
The completely awful waste of Mon-El this past year (I dropped the book after they outright told us *in the book* that his year-long run would be all for naught). The thing with the evil gorilla scientist was completely unnecessary and unwanted. The Flamebird and Nightwing book went places it shouldn’t have with their own run-in with an evil scientist, and they never addressed the child-in-a-man’s body issue. Add to that the resolution of the Project 7734 backup in SUPERMAN (I think?), and there was too much torture going on.
I don’t want to think about the years of great storylines that could have come from New Krypton. I don’t want to think about how grateful I was that Alura was finally a relevant and vital character who had an important, complex relationship with her daughter.
I don’t want to think about how happy I was that Alura and Kara appeared to have healed their relationship, and my mistake in thinking that the two of them were about to take charge of the war and turn it all around in a rare example of intergenerational female butt-kicking. I don’t want to think about how Alura’s legacy is using her daughter to get to Reactron to torture him. I don’t want to think about how I won’t get to experience a new era of Supergirl comics where she learns and grows through her relationships on new Kandor, trying to fit into their wacky caste-based society, with her mother as their leader.
The return of Krypton and Kara’s renewed relationship with her mother were the best thing to happen to Supergirl. But I don’t for a second think that most of the men at DC grasp the importance of Alura. They don’t live in a world where adventure stories about fathers and sons just don’t exist. They had to kill off Zor-El to do it, but for a brief time they actually gave us a story where a mother was the powerful leader of an entire goddamned planet of superbeings and her daughter was a superhero. That’s too fucking awesome to be tossed aside for some lame-o story called “War of the SuperMEN”.
“War” seldom makes for an interesting story in superhero comics, which have long since pumped that well dry. Shock and awe aren’t actually all that interesting once the shock wears off, so “crisis” stories are seldom worth revisiting. I won’t be doing individual reviews of these issues because I can’t come up with anything interesting to say about a series of fight scenes beyond, “Lots of people die. I’m sad.”
I’d much rather be able to talk about New Krypton in the future as a backdrop to the super books, one which added to the richness of the mythos without overwhelming it. I never expected New Krypton to remain the focus in all four books, but it gave them something different (if not entirely original) to work with which they really needed. Instead they chose to return to the status quo, again.
I haven’t read WotS #4 yet, so no spoilers in the comments please!
Cover Girls of the DC Universe – Supergirl Statue (2011)
DC finally did it: the perfect Supergirl statue! This is something I can be proud of displaying. Adam Hughes, you did good.
Really, really good! This is the first Cover Girls statue with a custom base and a character in motion. Supergirl’s right foot balances almost imperceptibly on a rock as she stretches upward, fists clenched in the iconic flying pose.
Now I’m happy I didn’t buy that last Supergirl bust, which was so close but not quite right. This is 100x times better than anything put out so far!
The solicitation copy for this statue from DC Direct:
SMASHING!
With strength and speed, the Girl of Steel blasts up through soil and stone, shattering solid rock, shooting into the stratosphere. As the Kryptonian cousin of Superman, Kara Zor-El has her sights set on the stars, streaking through the heavens in a supersonic blur – a soaring symbol of justice and truth.
Supergirl is the latest hero to join the stunning COVER GIRLS OF THE DC UNIVERSE statue series, with fan-favorite artist Adam Hughes specially commissioned to design Supergirl for this smashingly successful series.
Hand-painted, cold-cast in porcelain and measuring approximately 11.75″ high x 4.25″ wide x 5″ deep, this statue is packaged in a 4-color box.
Limited Edition.
$ 99.99 US | On Sale January 12, 2011
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